Day 9

The benefits of training handstands

What are the benefits of doing handstands? You get to stand on your hands and look kind of cool. That’s pretty much as far as it goes. But we believe there are additional, definitive benefits that come out of training handstands.

Coordination and physical awareness

With Emmet’s personal training students, in addition to their training goals, he will often have them train handstands. With those students he has noticed there’s a level of challenge to the body with handbalancing that begins to fill in the gaps of their physical awareness. There is a strong correlation, over the course of their handstand training, with how much more coordinated they get in everything they’re doing.

Before they might have been doing bodyweight training, or normal weightlifting, and still feel disconnected in their body. The novelty about handstand training challenges the body in ways it’s not normally challenged. With handstands in particular, we have to force the mind into the body. We have to get you to feel your kneecap. Is one contracting and the other not? Why did you externally rotate one leg but not the other? Why were your toes pointed but now you unpoint? Just by constantly self-checking in on the body seems to fill some proprioceptive gaps people have, that isn’t done in other skills.

And best of all, these benefits are easily achieved because handbalancing is inherently simple. It’s simple to just turn yourself upside down and stand on your hands, but something in your body isn’t allowing that at the time, so something else has to change. And it’s these changes that bring people in contact with their body.

While we said handbalancing may be simple, it is not shallow. In a pushup, say, you’re moving the body up and down. But handstands have a kind of skill tree. You see how the body works, how the mind and body coincide, and you want to make them work together. Now you’re balancing upside down, and you’re in the chaos of balancing. Your whole proprioceptive map you built up is gone and you have to find it again.

In one sense, you’re re-experiencing what you experienced as a baby learning to stand. And just as a child giggles with satisfaction on learning to stand, there seems to be a primordial joy in accomplishing a new handbalancing feat. On a practical level, that is what we’re doing, even on the mytho-poetic level, you’re learning to stand again.

Particularly in the early stage of handstand training, basic wall drills and alignments are complicated. They have variety, but internal variety. It’s why was this rep different, or this setup? It’s not an outside variety, like you dodged the ball, but it came at a different angle. This repeated action – we hypothesize – seems to be giving these people the chance for more practice at something, so they slowly start filling in the gaps. While it’s observational evidence, our students say they feel more in tune with their body, more connected, and feel things they weren’t able to before. They feel more coordinated in my day to day life, things that were challenging before aren’t anymore.

Temperance and Problem Solving

Handbalancing, being a skill-based discipline, involves a direct confrontation with the self. I managed to stay up and held my handstand, or, I did not hold it. This clear-cut results and dichotomy of success and failure can bring you in touch with both very furious and very calm parts of yourself. It also correlates to our psychological feelings around control. It’s blatantly direct with a handstand. Do I have the control to actually hold it? Checking whether or not you are in control, and that allows you this “good feeling.”

There’s loads of fury when it doesn’t work, or frustration. It’s the Sisyphean task where you constantly push this rock up the mountain and it rolls back down again, but you’re happy to keep pushing it up. When framed in this lens, handstands touch so many mental and emotional things in a person. Knowing of your inevitable failure, but satiating a desire to face that failure directly to try to improve build temperance in a practitioner. This is why we think it can have such a strong impact and make people want to repeat the task.

Of course, the first time you fall out of a handstand it’s a rush to manage your emotions. Time number 500, it’s no longer a rush but it’s a test of some sorts. You constantly keep pushing trying to learn new things, make corrections, and find solutions to keep your balance. You find yourself in this area of learning, testing, and challenge. We believe that because handbalancing has all these facets gives you both a practice that is beautiful, and one that is utterly soul-destroyingly frustrating. What you’re constantly doing every single nanosecond is problem solving, and there to experience the problem solving.

Now your handstand practice will just be the practice, that’s all it is. But, in the practice itself, as you touched on there, there’s an infinite amount of things to be found.

Consistency in training, and in life

For many people who have a handbalancing practice, including us, find it enjoyable. And we realize to get better at handstands, we have to be consistent. Then consistency and training gets better.

But if you want to be consistent with training, you have to be consistent in your daily life. Emmet has a metric he uses with his students: for every hour you spend in the gym in a week, you have to spend 15-20 minutes doing stuff outside the gym to facilitate that. That’s either washing your gym gear, precooking meals, packing stuff for the next day… simple bits and pieces that go into your daily routine.

So if you want to get good at anything, you have to be disciplined. The need and the space this thing takes up in your life is what begins to force the discipline upon you. Then you become disciplined. In Mikael’s case, his handstand training helps him be organized, because for handstands consistency is the primary parameter. With handstands, you need that ridiculous amount of repetition to get absolutely anywhere. It makes you need to do it, and structure your day in a way to be consistent.

With this course, our focus is obviously confidence! So let’s further build that quality up with today’s training.

In this session we combine a few different elements. First we zoom in on the kick-up to the handstand. The goal is to be able to kick-up to the wall, but without touching it. We are going to do that by doing many repetitions of the kick-up drill and focusing on touching the wall softer and softer with the foot.

Next we revisit the alignment work in the chest to wall handstand before we finish with wall walks. Wall walks are quite a tough strength exercise so pace yourself on these.

  • A: Kick-Up to Wall
    • 15-30 total attempts.
    • Aim to touch the wall more softly each attempt.
    • Rest as needed between attempts.
  • B: Freestanding Kick-Up
    • 15-30 total attempts.
    • Aim to find balance, then come down. No need to hold for time.
    • Rest as needed between attempts.
  • C:  Chest-to-Wall Handstand or  Incline Body Line Drill
    • If you are comfortable being inverted choose the chest-to-wall handstand, if not then do the incline body line drill at a challenging, but secure angle.
    • 3-5 sets
    • 10-15 second holds
    • Rest as needed between holds
    • 2 min rest after all sets
  • D:  Wall Walks
    • 2-3 sets
    • 2-5 walks
    • 60 second rest between sets
Kick-Up to Wall

Key Details:

  • For today we are focused on the kick-up portion of this drill
  • No need to hold the wall handstand today
  • Strong engaged traps and shoulders during the kick-up⁠
  • Kick-up is controlled to lightly touch the wall (this will come with practice)⁠
  • Hands, shoulders, and hips stacked in a line⁠
  • Legs in a “Y” to balance each other out and minimize arching⁠
  • Steady press with the fingers to separate from the wall and balance⁠

Description:
This exercise tends to get a bit of a bad rep, as people can easily arch their back and fall into less efficient form.⁠

If done with the correct intent and setup though – with shoulders and hips placed properly – it is incredibly useful to teach us how to use our fingers in the handstand.⁠
⁠⁠
The end goal of this drill is to kick-up with so much control that your heel doesn’t actually touch the wall at all, but just hovers right next to it.⁠

As one gets stronger and more comfortable with that, as well as more comfortable with bailing out of a handstand, then moving on to more freestanding work becomes much easier!⁠

Freestanding Kick-Up

Key Details:

  • Kill the momentum and pause in the half kick-up position.
  • Make sure to join the legs in the centre.
  • Try to make sure the legs are locked here; pointing the toes can help with this.

Description:
It is normal for this to take some time to get consistent. It is quite common for people to already be able to hold a decent 20 to 30 second handstand before the kick-up starts to feel consistent. It is also the kind of exercise that will always benefit from being broken down and worked on the different components again.

It’s also normal to have some big swings in consistency in the kick-up: some days you’ll nail them all with ease and grace, and the next day you’ll feel like your arms and legs are now tentacles with a mind of their own.

Chest-to-Wall Handstand

Key Details:

  • Begin with a little bit of distance from the wall.
  • Look at the floor.
  • Push high through shoulders and try to stack shoulder over the middle of the hand to the degree you can. Do not push chest towards wall and open t-spine.
  • Keep toes pointed, legs locked and glutes tense to practice the pelvic tilt.

Description:
The chest-to-wall hold is the go-to exercise for developing capacity, form and a feeling for the handstand. This exercise does not teach you much about balance, but it is essential for developing correct body placement, building specific strength and acclimatising you further to the feeling of being upside down.

Make a checklist when you go up into the handstand, where you make sure your toes are pointed, legs and glutes are squeezed tight, shoulders pushed up and that you are looking at the floor. The toes should be the only thing touching the wall. You want to make sure your shoulders are placed over your hands so you are not opening them too much and pushing your chest out towards the wall.

Incline Body Line Drill

Key Details:

  • Take your time to set up nicely here, elbows locked as best as you can.
  • Push shoulders high and inline with the torso as best you can.
  • Make sure to not sag in the mid section.

Description:
This drill is a great introduction for new handstand trainees.

Its main feature is that it gets you on your hands in a manner that most people can achieve. It is incredibly safe in that, if you need to exit quickly, you can just step off the wall. It also uses less wrist extension than holds that are closer to the wall. So if you need to work on your wrist flexibility, this will start getting you inverted while your wrist development catches up.

One of the main things to work on here is finding all the alignment cues from the straight body hold in this position. It is not a resting position where you are wedged into the wall but it is alive, meaning that the shoulders are working, and you are pushing through the arms. The body is, in other words, tight and not sagging.

Some things you can play with is deliberately sagging then finding the line again so you begin to build up a sensation library of what things might feel like when you lose the line and how you might be able to restack your position while inverted.

Wall Walks

Key Details:

  • Take your time and do not rush these.
  • Keep pushing through the shoulder of the supporting arm.
  • You do not need to do these as a full shift; even a mild shift of weight is good
  • Save some energy to walk out.

Description:
This exercise aims to build strength in the shoulder girdle by momentarily loading all the body weight onto one side and then the other.

The focus here should be on keeping the elbows extended and locked and pushing out of the shoulder. Do not allow yourself to start bending the arms as you fatigue. When the arms start to bend, you should try to correct it, and if that is not possible, end the set.

At the start you might feel that getting all the weight into one-arm will be hard, but even shifting some of the weight, say 60:40 instead of 50:50, is fine here. Just stick with it, and the strength will build.

You do not have to be right up to the wall for this exercise, being at about 20-30cm distance from the wall will be fine here.